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"We've been under construction forever," says Simon, who married Zayac in 1992. And they are not finished yet - a nondescript kitchen awaits gutting and expansion.
Sophisticated artistic presentation comes naturally to this couple. "So much of my work is artistic," says Simon, a dentist specializing in cosmetic improvements.
Zayac credits his ability to visualize then orchestrate pleasing design details to his background in civil engineering and a childhood spent attending the Cudell Recreation Center art school.
Stepping into the open foyer, a myriad of eye-popping visuals comes into view: maple-paneled walls and red oak millwork, a black granite ball bubbling upward and water rolling down into a river rock foundation, maple-adorned archway and an undulating glass-and-granite bar.
Extensive, eclectic art and sculpture collections are everywhere - on floors, walls, shelves, stairways and furniture, taking up residence on the outdoor balconies and in the museum-size gardens three stories below.
A boulder-size frog lounges spread-eagle in the foyer. Another stands on hind legs poised to dive into the river below.
African masks share wall space with a neon light twisted into a guitar.
Stylized antelope carvings flank a working wall clock that Zayac says was in Ford's Theatre when Abraham Lincoln was assassinated.
The art ranges from contemporary to ancient, American Indian to a complete collection of the Secret Art of Dr. Seuss.
Ground-level gardens are built for optimum viewing pleasure from 200 feet above. The large, triangular space offers year-round color and texture. Simon and Zayac both tend to the rolling drifts of ornamental grasses, masses of colorful plants and funky ornamental pieces including a red London telephone booth.
Oversized sculptures in the garden were created by Marie's brother, North Royalton metal artist John Simon, owner of Hot Wind and a Hammer Inc.
Admiring furniture is secondary in this artsy home, with the exception of the couple's recently purchased dining-room table from Carefree, Ariz.
The table is so large it had to be hoisted up on a lift and brought in through a third-floor balcony window, which first was removed. Three Buckeye tree trunks fused together form the base. The trunks are free of bark and polished to a rich caramel shine.
A glass top with smooth, chiseled edge allows for an unencumbered view down into the trees' cavitylike core.
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